The debate over cultural identity and airplay has officially crossed borders — and Cameroon is the latest battleground.
Cameroonian artist Silla Divisdo has sparked a heated conversation after openly expressing his frustration over the overwhelming presence of Nigerian music on the streets of Cameroon — and the struggle homegrown talent faces to get heard in their own country.
In a passionate plea that's now making rounds online, Silla didn't mince words:
"Cameroonians can listen to any Nigerian song they want in their private homes, there is no problem with that. But on our streets, Cameroonian music should be given priority."
He went further, calling out DJs and gatekeepers for what he sees as a clear bias — one that's drowning out local voices in favor of already-established Nigerian hits.
"Our artists are very talented, but many of them are not being heard because DJs keep blocking their chances. Why keep playing songs that are already well known, instead of promoting Cameroonian songs that people have not yet discovered, so our own talents can be noticed and appreciated?"
It's a sentiment that resonates far beyond Cameroon. Across Africa, the rise of Nigerian Afrobeats has been nothing short of phenomenal — but it's also raised uncomfortable questions about cultural dominance, local representation, and whether smaller music industries are being overshadowed by their bigger neighbors.
Silla's message isn't anti-Nigerian music — it's pro-Cameroonian pride. He's asking for balance. For space. For the same energy that's given to Wizkid, Burna Boy, and Asake to also be extended to the talented voices right at home who are still waiting for their shot.
The question now is: will the DJs listen?
💬 Is Silla Divisdo right to demand more airplay for local music, or is this just how the industry works — the best music wins, no matter where it's from? Should countries prioritize homegrown talent on public airwaves? Let's hear your take! 👇🔥


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